4/17/2023 0 Comments Hypnotic swirl![]() ![]() Likewise Journal - Southern California State Dental Association volume 15, dated by google books as being from 1948, has this snippet (possibly from an advertisement): Google books list this collection of volumes as being from 1948 but sometimes their dates on collections of journal/magazine issues just reflect the starting date, so this particular excerpt could be from a later year. Cooke, the author of the popular Cooke Hypnotizing Spiral. presented for their April program, "Techniques of Hypnosis for Therapy" by Mr. Consequently one should not let the patient fix his gaze on a bright spot of an object or on a rotating spiral, etc.Īlso on google books I found the Journal of Dentistry for Children, Volumes 15-17 with this excerpt on page 28: The drowsiness of the hypnoidal state should never be induced by fatiguing the optic nerve. 67 available in a preview snippet which says: New home for old barge bought by city council for £1.Searching google books, the book Hypnoidal Psychotherapy by Margaret Steger, which was published in 1951, has a section from p.Transport boss refuses to say how many drivers fined in Bristol’s Clean Air Zone.The first sex-positive festival in the South West returns to Bristol.Bristol Rovers mock City fans on World Book Day.First look at unicorns ahead of festival this summer.Plans to build flats above convenience store approved.Bristol couple left 'totally gutted' after van stolen.Bristol student invents software to tackle AI essay cheats.New VR exhibition showcases ancient cave paintings for first time in UK.Popular venue due to close for year-long refurbishment.First look inside Chance & Counters on Gloucester Road.Man dies following incident at Bristol city centre car park.Graffiti makes railway station look like 'The Bronx'.New mural appears to show child playing with stones.'Big milestone' for new Bristol Rovers stadium.Star Wars sculpture placed on Colston plinth.Listen to the latest Bristol24/7 Behind the Headlines podcast: ![]() Review: Febueder, The Crown – ‘They sounded like a band at the top of their game’.Review: Loyle Carner, O2 Academy – ‘Versatile, pioneering and always amiable’.Review: Three Cane Whale + Firelight Trio, St George’s – ‘Achingly beautiful’.It was thinking-person’s music, not drinking-person’s music. There were no painful, Oirish stereotypes tonight, instead this was a St Patrick’s night to remember. At turns sustaining a solitary high note, then plunging into a breakneck pace, as though being chased by the very devil himself.Īll the while he is ably assisted by Murray Grainger (from The Ciderhouse Rebellion) on accordion, the two of them stretching the canvas for the band to paint upon. Anyone expecting a rousing romp in the Thin Lizzy mold might have to have a bit of a re-think because this one is very sinister indeed.Īdam Summerhayes, on fiddle, has been adding scarily brilliant textures all night and it is here that those textures take on a blood-red hue. In a very good way.Įqually disconcerting is Whisky in the Jar. The horror of the song is amped up with a new verse where the young man is murdered by the landlady. Theirs is slowed to a lament and is as dark as Dracula’s cape. One thing’s for sure though, none of those versions sound like The Haar’s. It seems almost clichèd to expect to hear The Wild Rover on St Patrick’s Day and, surely, it was played a million times up and down the country tonight. You notice it most on She Moved Through the Fair where this song stops being all All About Eve wafty-ness and, instead, it’s a hypnotic swirl.ĭonnery’s voice and Byrne’s Bodhràn overwhelming the senses, creating a Fair with too many people, too many sensations, too much to see. It’s the sound that you can hear pulsing through you at 3 o’clock on a panicked morning. He literally provides the heartbeat around which everything else can work. It’s not that often you watch a band and can’t drag yourself away from the Bodhràn player but Byrne is remarkable. The other provider of intensity is Cormac Byrne. It’s also quite something to cover a Mary Black song – Anachie Gordon in this case – and utterly do it justice. ![]() There are moments, particularly on Craigie Hill and Two Sisters, where she sounds a tiny bit like Cara Dillon but with all of the emotion and rough edges still, very much, intact. ![]()
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